The Programme of Ale Kino! Pro

27.11.2024

14:00 – 18:00 Scena Wspólna, Brandstaettera 1, Poznań

The New Polish films on the horizon – pitching forum and audience design – workshop for accredited educators, number of places limited, first come first served

projects:

‘Szymon’ – Stefan Łazarski, Agnieszka Skalska,

‘Becoming that man’ – Martyna Nitkowska, Weronika Perłowska,

‘Born Happy’ – Piotr Szczepanowicz, Maria Leźnicka,

‘A Million Billion Father Christmases’ – Katarzyna Warzecha, Marcin Osiadacz,

host: Zofia Jaroszuk

audience design workshop: Ewa Bojanowska

14:00 – 18:00 Zamek Cultural Centre, p.303, Św. Marcin 80/82, Poznań

Stop-motion – art education through film – workshop for accredited educators, limited number of places, first come, first served.

The workshop combines factual knowledge and practical activities on stop-motion animation techniques, animation stands, working with software and lighting, film language and drama. Led by Paulina Wyrt and Robert Kuźniewski.

Robert Kuźniewski – animator of puppet/clay films by Izabela Plucińska. Creator of original films. Graduate of the UAP, member of the Association of Polish Filmmakers, and scholarship holder of the Minister of Culture in Artistic Education.

Paulina Wyrt – animator, educator and illustrator. At the UAP she teaches the young generation of animators. Creator of original films, member of the Association of Polish Filmmakers, and scholarship holder of the Minister of Culture in the field of Artistic Education.

28.11.2024

Scena Wspólna, Brandstaettera 1, Poznań

10:00 – 11:30 Watch and Create – Workshop for Educators
Led by Agata Hofelmajer-Roś

A methodological workshop in film education based on practices from the French association “Le Cinéma, cent ans de jeunesse,” founded by Alain Bergala and Nathalie Bourgeois. This association runs an annual cycle of film sessions that combine theoretical and practical workshops for student groups. The sessions use film excerpts selected by Bergala and the group’s supervisor as the primary material. Each year, a new theme is chosen, but the guiding principle remains that these prepared “extracts” serve as the starting point for discussions on how the group will create their film.

Agata Hofelmajer-Roś is a Ph.D. candidate at the Doctoral School of the University of Silesia, researching film education practices in Poland and Europe.

 

10:00 – 11:30 What Kind of Film Criticism for Young Audiences?
Working group on film criticism for youth
Coordination: Patrycja Rojek, Ph.D., Institute of Film, Media, and Audiovisual Arts, UAM

 

12:00 – 12:15 Presentation of the issue “Cinema for young audiences” of EKRANy magazine

 

12:15 – 13:15 Masterclass: Alain Bergala – Film pedagogy – relationships first
Film critic and creator of an educational program implemented by the French Minister of Education, Jack Lang, from 2000 to 2002.

Bergala advocates moving away from traditional film analysis toward exploring the creative process of filmmaking. He will illustrate his theory with selected film clips. Video recording!

Admission for all accredited attendees

 

14:00 – 15:30 Debate: Film Education as a Creative Process
Panelists: Ralitsa Assanova (Arte Urbana Collectif, Meetings of Young European Cinema, and Le cinéma, cent ans de jeunesse), Paulina Ratajczak (Las Sztuki), Alejandro Bachmann (LICHTSPIEL – Netzwerk kulturelle Filmbildung)

Admission for all accredited attendees

29.11.2024

10:00 – 11:30 Watch and Create – Workshop for Educators
Led by Agata Hofelmajer-Roś

This methodological workshop on film education is based on practices from the French association “Le Cinéma, cent ans de jeunesse,” founded by Alain Bergala and Nathalie Bourgeois. The association runs an annual cycle of film sessions divided into theoretical and practical workshops for student groups. The primary materials for the sessions are film excerpts selected by Bergala and the group’s supervisor. Each year, a new theme is chosen, but the guiding principle remains that these prepared “extracts” initiate discussions on how the group will create their film.

Agata Hofelmajer-Roś is a Ph.D. candidate at the Doctoral School of the University of Silesia, focusing on film education practices in Poland and Europe.

 

10:00 – 11:30 What Kind of Film Criticism for Young Audiences?
A working group on film criticism for young audiences.
Coordination: Patrycja Rojek, Ph.D., from the Institute of Film, Media, and Audiovisual Arts at UAM

 

12:00 – 13:30 Masterclass: Christian Lo –  Why Stories for Young People Are the Best Stories

Christian Lo shares his experiences in working with and creating films for children and young audiences – covering everything from story-building, cinematic language, casting, and his preparation methods, to his approach in working with child and teenage actors on set and collaborating with his crew.

Admission for all accredited attendees

 

14:00 – 15:30 Debate: Standards for Working with Children and Youth on Set

Panelists: Mariella Harpelunde Jensen, who will discuss Denmark’s legal regulations (Director of the BUSTER Film Festival in Copenhagen), Marta Karwowska (director of the films “Tarapaty” and “Tarapaty 2”), and Sylwia Szostak (researcher in media, production culture, and the audiovisual industry).

Admission for all accredited attendees